THE LAIR OF THE WHITE WORM (Blu-ray Review) - Vestron Video

UK/1988
Directed By: Ken Russell
Written By: Ken Russell
Starring: Amanda Donohoe, Hugh Grant, Catherine Oxenberg
Color/94 Minutes/R
Region A
Release Date: January 31, 2017

The Film
When Archaeologist Angus Flint (Peter Capaldi) unearths a strange serpent-like skull while excavating the site of an old convent on the grounds of a bed and breakfast he quickly learns of the tale of the D'Ampton Worm, a mythical snake-god from said to have been slain a thousand years earlier by John D'Ampton, the ancestor of current land owner James D'Ampton (Hugh Grant). The old tale seems to come true when a couple of women go missing and the group discovers that a local woman named Lady Sylvia Marsh is in fact an ancient priestess to the snake-god.

THE LAIR OF THE WHITE WORM is loosely adapted from the Bram Stoker novel but Ken Russell has greatly changed most of the story and details making for a wildly entertaining, purposely campy mashup of horror, fantasy and comedy. Hugh Grant is quite good as James D'Ampton and he has good chemistry with Peter Capaldi as an odd couple type pair who go about investigating the legend in different ways. Amanda Donohoe is captivating as Lady Sylvia Marsh, giving a sexy and domineering performance of pure evil. From seducing a Boy Scout to turning townspeople in to vampires with a single bite, she is a leather clad vixen that owns her sexuality and strength and the film is better off for having her in it.

Arguably the film's most interesting scenes are after those snake bites from Marsh when they lead to these trippy LSD induced visions of the snake demons, orgies, medieval battles and more bizarre scenes. This is purely Ken Russell being the brilliant director he's been known to be. The hallucinations wouldn't have felt out of place in his masterpiece from 1971 The Devils. Russell seamlessly mixes these elements of horror with very organic and natural comedic moments that never feel out of place and wrap the entire film up in a fantasy film shell. These ingredients make for such a wildly entertaining hour and a half filled with interesting and lovable characters, a giant B-movie monster, and a strong sense of aesthetic. Russell's eye for detail in sets, costumes and props is on full display from the blue body paint serpent scene, to the Victorian mansions decorated floor to ceiling with all sorts of gaudy yet elegant dressing and even massive underground snake/dragon monster look appealing to the eye and not at all corny.

THE LAIR OF THE WHITE WORM would have benefitted from a slightly larger budget as it would have allowed the film to have a more expansive feeling and allowed for more special effects but THE LAIR OF THE WHITE WORM is a charming, funny and well made fantasy horror film based in folklore. It has held up to multiple viewings over the years and will remain in rotation for years to come.

The Audio & Video
Vestron Video gives a beautiful HD presentation to this new Blu-ray of THE LAIR OF THE WHITE WORM. The anarmophic widescreen (1.78:1) transfer looks gorgeous. There is a very tiny bit of speckling otherwise the picture is quite clean and sharp. Colors are beautiful and shine while black levels are handled nicely. Detail levels are strong with surfaces and textures and skin tones are healthy and handled naturally. The DTS-HD Master Audio 2.0 stereo mix takes the film's original  audio mix and makes it sound pristine. The track is crisp and has crystal clarity. There's no damage, imperfections or background noise. Levels are mixed nicely so that dialogue and music are complimentary.

The Extras
-Audio Commentary with Director Ken Russell
-Audio Commentary with Lisi Russell and Film Historian Matthew Melia
-"Worm Food" - Interview with Special FX Artists Geoffrey Portass, Neil Gorton and Paul Jones
-"Cutting For Ken" - An Interview with Editor Peter Davies
-"Mary Mary" - Interview with Actress Sammi Davis
-Trailers From Hell with Producer Dan Ireland
-Theatrical Trailer
-Still Gallery

The Bottom Line
THE LAIR OF THE WHITE WORM is an overlooked and underrated piece of 80s horror. I hope this Blu-ray allows the film to be rediscovered and gives this great piece of work from Ken Russell the credit it deserves.

THE LAIR OF THE WHITE WORM is available HERE

PARENTS (Blu-ray Review) - Vestron Video

USA/1989
Directed By: Bob Balaban
Written By: Christopher Hawthorne
Starring: Randy Quaid, Mary Beth Hurt, Bryan Madorsky
Color/82 Minutes/R
Region A
Release Date: January 31, 2017

The Film
PARENTS is a film set in the idyllic 1950s, a time straight out of a Norman Rockwell painting and the Laemles want nothing more than to blend in and be that picture perfect family with their ten year old son Michael. Unfortunately Michael isn't the All-American boy but rather a very quiet, distant and frankly somewhat odd child. His father (Randy Quaid) is disapproving of the boy, commonly more concerned about the bottle of wine he chooses for dinner than bonding with his son. Their mother is a typical housewife interested in getting a hot meal on the table for her family and babying her son. Michael usually goes to bed early without eating his meat because he knows there's something wrong with his family... they're cannibals.

Bryan Mardosky plays Michael and at first his performance comes across as wooden, stilted and rather bland. I feel that this is all intentional from director Bob Balaban as he is using Mardosky's performance as Michael to show the effects an abusive and overall poor home life can have on a child. I think Michael has become the shell of a healthy child and is very introverted and keeps mainly to himself. PARENTS shows a very twisted version of that 1950's idealism with a family that feasts on human meat without too much in the way of graphic gore or imagery to really make a horror film. He also fits in some dark comedic moments throughout. Don't get it wrong though, PARENTS is a weird movie that does a damn good job at making the viewer feel uncomfortable and squeamish. This is done with gratuitous and repetitious shots of the food that plays such a big role in the film as many scenes revolve around it. The meat seems to get slimier and more and more undercooked every time we see it. It's disgusting.

The film really succeeds because of Randy Quaid and Mary Beth Hurt's performances as Michael's father and mother. Mary Beth Hurt wants nothing more than to live the American dream with a happy family living in Suburbia but is stuck in between her husband who has made the family a house of cannibals and is an abusive man. Without laying a hand on his son he haunts him and broods over him, sitting in dark rooms or in the shadows waiting for Michael to curiously search around to uncover the truth his family hides. Quaid's performance is THE scariest thing of the film. He makes me extremely uncomfortable and is a perfect metaphor for the mask America put on the 1950s hiding the uglier social issues the country faced with a post-war economic boom, paintings of apple pie and a widespread idea of "The American Dream".

PARENTS is well made and has aged just as well. It is a movie that never quite clicked with me until this viewing but I get it now and I think if you go in expecting a strange horror film that relies more on characters and relationships rather than shocks and gore you'll be pleasantly surprised.

The Audio & Video
Spine #7 in the Vestron Collector's Series looks and sounds quite good. The 16x9 anamorphic widescreen transfer has a nice overall picture quality with strong detail throughout. From the textures in clothing to the nasty, slimy quality to the meat at every meal there is good attention to finer details. Colors are vibrant and natural. There are small sections of the film that have a softer look than the rest of the film but these are vastly in the minority of scenes. The audio is handled with a DTS-HD Master Audio 2.0 stereo mix that sounds excellent. It's a crisp and clear mix with stable levels and a quality mix. There's no damage or background noise. Optional English SDH subtitles are included.

The Extras
-Audio Commentary with Director Bob Balaban and Producer Bonnie Palef
-Isolated Score And Audio Interview with Composer Jonathan Elias
-"Leftovers To Be" - Interview with Screenwriter Christopher Hawthorne
-Mother's Day" - Interview with Mary Beth Hurt
-Inside Out" - Interview with Director Of Photography Robin Vidgeon
-Vintage Tastes - Interview with Decorative Consultant Yolando Cuomo
-Theatrical Trailer
-Radio Spots
-Still Gallery

The Bottom Line
PARENTS is a film that has aged extremely well and is deserving of this stellar release from Vestron. I consider this the definitive edition of a film that deserves to be re-discovered in HD.

PARENTS is available HERE