Tuesday, May 3, 2016

April Exploitation/B-Movie Challenge 2016 - Final Days and Wrap Up

I last talked to you about the challenge on day 27 so this final post with the challenge could be a bit long so I apologize. I'll try to fill it with some interesting stuff for sticking with me.

I didn't watch anything on day 28. I was preparing for a weekend trip where I knew sleep was going to be at a minimum so instead of trying to squeeze in a random movie that night I went to bed a couple hours early. It was worth it for the weekend.

Days 29 and 30 took me to an area I had never been to - Vandergrift, Pennsylvania. This town was familiar to me in a way at least that a decade earlier I was a big fan of a metalcore band called From A Second Story Window and they were partially from that town. That random fact out of the way it was interesting to see this town all these years later. There's really nothing in Vandergrift - it's an old mountain river town about 30 miles north east of Pittsburgh that seems to have had it's better days decades ago. While there I noticed a couple of bars and beer stores but no liquor stores, a single Salvation Army thrift store and a dollar store. There was the small grocery store that kept batteries on a hidden ramp back by the bathrooms. Thankfully the lady graciously explained to me where this ramp was when I obviously had no fucking clue what the hell she meant by "batteries are on the ramp". Thank you Mrs. Ramp Lady, I'll never forget your kindness and next time I'll know exactly where they are and shoot you a wink.

At this point you're probably wondering why the hell I'm giving you this history lesson on Vandergrift - a town you really don't give a shit about. Well my friends, there's one thing in Vandergrift that you should give many shits about - The Riverside Drive-In.


The Riverside Drive-In was opened in 2005 - I'm assuming resurrecting the bones of an older drive-in theater but I'm not totally sure. Normally they're like any other drive-in theater in the country - They play first run films in double and triple features each week, they sell their concessions and give patrons a window into a bygone era all while defying the odds by surviving another season. Two weekends a year, once in April and once in September the Riverside separates itself from all the others by hosting their Drive-In Monster-Rama event. This event features 4 horror films each night plus all sorts of other vintage programming like cartoon shorts, trailers and intermission breaks.

Yeah yeah, a drive-in hosting a vintage horror revival, not that crazy, right? Well, it's only $10. The concession stand food is absolutely delicious and incredibly fresh including homemade soups, chili, tacos, burgers and more. And the kicker is that the prices are reasonable.


So what? Cheap food and cheap movies? Well, for an additional $10 you can camp overnight at the drive-in! Yes, set up your tents, your shanty town of tarps, sleep in your car, whatever you want - camping at the Riverside is an option and it really doesn't get more fun. They even set up a hillbilly shower in the bathroom and cook your breakfast in the morning for free. I'm talking eggs, pancake, sausage and bacon piled high along with free juice and coffee. Yeah, that's all included for the $10 camping ticket. And then you can hang out relaxing at the beautiful and scenic drive-in until the next night's films or head into town for whatever you may find. Hanging out at the theater is a great way to meet some new friends who also camped especially now that camping is becoming more popular among event attendees.


This was the most fun I've had in a long time dear readers. And if you're ever able to make it to one of the events I highly suggest you make the trip.

Now onto the films themselves which were all presented in 35mm...


The first night started with Tom Savini's remake of the timeless NIGHT OF THE LIVING DEAD. What can I say that I haven't said about this one already? This movie is a big reason I love horror. I rented it over and over as a child and I've never grown tired of it in over 20 years of loving it. It was a great way to start the night after getting our tents and shanty town set up.


That was followed up by NIGHT OF THE CREEPS which was probably the hit of the night for our group. The folks that hadn't seen it loved how ridiculously cheesy Tom Atkins was and how self aware and fun the rest of the movie is. We laughed and had a blast through this one.


1984's NIGHT OF THE COMET was up 3rd and this one had more mixed reactions from our group but I love this one as well, but probably a bit less than CREEPS and definitely below NOTLD. It's still a fun one and I highly enjoyed seeing it on the big screen. I started to doze off a bit during this one from a long day of driving through the mountains and then drinking beers so it made an easy decision even easier and I skipped the final feature which was Bill Hinzman's FLESH EATER. That movie is a piece of shit.


The next morning after waking up and getting my delicious free breakfast and coffee and beginning to feel like a human again we killed some time by going to town for an hour or so and then back to the theater to relax and get ready for the night's features.... what a night it was.


Let's say that as soon as the opening previews for the features hit so did the booze. I was wasting no time and halfway through THE MONSTER SQUAD I already was feeling it. This was easily our group's favorite movie of the weekend. Fellow Celluloid Terror contributor Shawn Wolfe and I were the most familiar with it and were loving every second of it. (Creature stole my Twinkie!) The rest of the group who had varying levels of familiarity with it all loved it.


THE LOST BOYS was next and this one was also a blast to watch with the group and with an ever growing buzz. The great thing about watching movies you've seen a hundred times at an event like this is the ability to go a bit harder on the party aspect if you want. I sure did.


By the time FRIGHT NIGHT started I was hammered, coherent but I knew I'd be feeling it in the morning. And the sky had opened up with a heavy rain. Seeing this classic while the rain pounded down on our tents and tarps gave it a very cool atmosphere even if it meant that the temperature had dropped a bit and it was getting colder.

Word on the street is that I was awake during the final feature film NEAR DARK but you can't prove that by me. I had no recollection of that movie at all and I woke up without a hangover so the party was an absolute success and the movies were a fucking blast. Get another free breakfast, pack up the gear and we're on our way home until September. This was my first experience at the Riverside Drive-In but as long as they keep doing the Drive-In Monster-Rama it certainly won't be my last.

Now for a few fun stats about this month's challenge

Films Watched - 55 (Didn't count Flesh Eater or Near Dark from the drive-in)
First Time Viewings - 45
Blu-ray - 21
DVD - 25
Stream - 1
Theater - 6
VHS - 2
Average Score - 6.65/10
Best New Films - Wild Beasts, Over The Edge, Pigs, Wheels Of Fire, Blue Ice
Worst New Films - The Legend Of Bigfoot, A Knife For The Ladies, Nukie

Monday, May 2, 2016

THE HAUNTING OF ALICE D - RLJ Entertainment (DVD Review)


USA/2014
Directed By: Jessica Sonneborn
Written By: Jessica Sonneborn
Starring: Juan Riedinger, Aaron Massey, Megan Hensley
Color/79 Minutes/Not Rated
Region 1
Release Date: May 3, 2016

The Film
In the 1890s a young girl named Alice is left orphaned and alone after her parents die and her uncle sells her and her older sister to a wealthy and notoriously cruel brothel owner to pay his gambling debts. Things get worse when her older sister is sold and nobody is left to protect her and she's abused and put in the mix at the brothel until she takes revenge on the owner and takes her own life as well.

Now in present day the heirs to the old brothel are hosting a party at the old house where anything goes with the girls and the drugs but Alice may still lurk within the walls of the brothel and her revenge may not be done yet.

THE HAUNTING OF ALICE D is unremarkable in just about every way. The effects are poor and have a dated and tired look to them. Predictability is a huge problem with this film, from jump scares to character and story development. ALICE D is like a book you've read ten times - you know exactly what the next page holds. It's not like a book you've read ten times in that you certainly won't be going back to this movie again, let alone nine more times.


It's also an ugly movie in the most literal sense. The film has almost no color palette as it has a washed out look of creams and grays with faded neutrality being the ruling aesthetic. We're also treated to more lens flaring than a JJ Abrams film. There's no point at all to the lens flare in this film and they get to the point where they're downright annoying.

THE HAUNTING OF ALICE D is not scary, or even sexy despite the premise. It's not interesting or even attractive to look at. It's bottom of the barrel dreck that you're better off not wasting brain space on.

The Audio & Video
The DVD from RLJ Entertainment accurately presents the movie as it was intended to look. The 2.35:1 aspect ratio is intact and the film's soft, often too soft, look that is filled with pointless and frankly distracting lens flares are all on board. THE HAUNTING OF ALICE D has a washed out color palette leaving everything feeling cold and "blah". There's nothing particularly wrong with the PQ of this DVD, as it does a good job of giving us a proper representation of a bad looking movie. The Dolby Digital 5.1 mix sounds fine. It's clean and well mixed. There's no distortions or damage. The audio isn't exactly dynamic or exciting but it gets the job done nicely.


The Extras
None.


The Bottom Line
If you've ever wanted to see Kane Hodder and former WWE wrestler Al Snow in 19th century garb here's your chance. Otherwise you're better off skipping this one.

THE HAUNTING OF ALICE D is available HERE

Thursday, April 28, 2016

April Exploitation/B-Movie Challenge 2016- Days 23-27

Time to catch up! I apologize for falling behind on coverage here but I'm here now and ready to catch up!


Day 23 started with ALL HELL BREAKS LOOSE a DVD sent to me courtesy of Wild Eye Releasing to view specifically for this challenge. It's a modern exploitation film, filled plenty of things  I like and dislike about modern exploitation films. This demon biker movie is funny without too many "in jokes" or winks and nudges to the audience and has a genuinely sleazy sensibility to it with lots of violence and forced nudity. The special effects are a bit hit and miss but aside from CGI blood splatter I'm okay with them. The acting holds up a decent script so I can get passed the things I don't like such as artificial scratch filters to make it look like an older film ala Grindhouse. It's a trend that annoys the piss out of me but ALL HELL BREAKS LOOSE is good enough that it didn't make that big of a difference.


I followed that up with THE CURSE, a 1987 adaptation of HP Lovecraft's The Color Out Of Space. I wasn't aware of the HPL ties until seeing the film so that was a pleasant surprise and the movie ended up being a pretty solid 80s horror style work on the story. It has plenty messy gross out effects work and latex effects makeup. Wil Wheaton stars a young boy who's family is changing into vicious monsters after eating and drinking produce and water that is tainted from a strange alien orb and he's quite good carrying the film.


Day 24 started and ended with THE CURSE 2 which has nothing at all to do with the first film. Subtitled THE BITE, this one follows a young couple, including the gorgeous Jill Schoelen, as they're on a road trip and travel through an old bomb testing site that is overridden with snakes. When the boyfriend gets bitten on his hand he slowly transform into a hyper aggressive and violent version of himself and undergoes bizarre physical changes as well. THE CURSE 2 was good, but had it let the major payoff occur earlier in the film and let the snakeman monster run amuck on the town this could have been a true masterpiece of horror cheese.


An overdue viewing of KING KONG ESCAPES was next - A well known Kaiju film from Toho that I had never seen. It's King Kong vs MechaKong. Need I say more? We have a giant gorilla fighting the robot version of himself in Japan. A solid script that is deeply rooted in the original King Kong allows the movie to have fun with the giant beast and robot while maintaining an air of seriousness that allows the campy film to still be a pretty good movie.


The next night I tossed on ISLAND OF DEATH - A Greek exploitation film from 1976 that found itself on the Video Nasty list a few years later. Director Niko Mastorakis made this film after seeing the financial success of The Texas Chainsaw Massacre as a way to cash in. With no artistic desire to make the film he made it anyways and he certainly made a film filled with deplorable acts and ideas such as rape, goat fucking, murder, racism and homophobia. From an exploitation film standpoint it's entertaining, and competently made for the most part aside from our two main characters essentially being on this Greek island for no other reason than to be bigots and kill people they don't like. ISLAND OF DEATH's biggest problem to me is that any and all likable characters are quickly killed off and the movie is over 100 minutes long which is far too long for a movie with nobody to root for. If this movie was 75-80 minutes long I'd like it more.


EXTRAORDINARY TALES was the follow up - This animated anthology of E.A. Poe tales was an interesting watch. With voice over work from the likes of Christopher Lee, Bela Lugosi, Roger Corman, Guillermo Del Toro and Julian sands it gave each short, which featured a unique art style, it's own atmosphere. Some segments were better than others, and I don't see myself rushing back to watch the film again as I'd rather sit down and watch the various feature film adaptations of the stories but it was well done and I recommend it for any Poe fans.


This update comes to a close with a movie I've long seen floating around on VHS but it had never crossed my path until recently - THE ANNIHILATORS. This vigilante film is set in Atlanta where a gang has a section of the city under siege, forcing them to pay unfair "protection and insurance" taxes, and raping and murdering those that don't agree including a man running a mini market who was paralyzed in Vietnam. His squadron reunites to help his father, and his neighbors regain control of their neighborhood in a film filled with shootouts, flame throwers, food carts filled with heroin and a school bus filled with kids in the line of fire. THE ANNIHILATORS isn't the best vigilante style film and the cast isn't amazing but it remains an energetic, action packed exploitation romp of a good time.

Today's Rundown
All Hell Breaks Loose - 6/10
The Curse - 7.5/10
The Curse 2 - 6.5/10
King Kong Escapes - 6.5/10
Island Of Death - 6/10
Extraordinary Tales - 6/10
The Annihilators - 6/10

Monday, April 25, 2016

THE MILLION EYES OF SUMURU/THE GIRL FROM RIO - Blue Underground (Blu-ray Review)


UK, Germany, Spain/1967, 1969
Directed By: Lindsay Shonteff, Jess Franco
Written By: Kevin Kavanagh, Harry Alan Towers
Starring: Shirley Eaton, Frankie Avalon, Richard Wyler
Color/173 Mintues/Not Rated
Region FREE
Release Date: April 26, 2016
Blu-ray

The Films
This double feature of films starring Shirley Eaton as the titular Sumuru who has plans to take over the world with her all femme army are a part of the kitschy, campy and colorful 1960s spy genre that was so heavily influenced by the James Bond films. A bit more for the cult or midnight film crowd than Bond may be, including a show stealing scene in THE MILLION EYES OF SUMURU from Klaus Kinski, these are the textbook definition of the films that Mike Myers would go on to parody thirty years later in the Austin Powers trilogy.

I will admit that I'm not a big fan of spy films and that I don't particularly care for James Bond. To put it simply those films and I have never clicked. I've never felt any sort of longing to watch them or dig deeper into the genre and there's never been a kinship between us. When I sat down to watch these two films I did so with an open mind giving them the best shot I could. I thought at least THE GIRL FROM RIO was directed by Jess Franco so that had a fighting chance at being something I'd find enjoyable. I couldn't necessarily say the same about the first film as Frankie Avalon doesn't exactly get my blood pumping but upon sitting down and finishing both films I was pleasantly surprised to find myself enjoying both.

The films are campy, with overacting, scripts full of action and sexy bikini clad villains who can't hit the broad side of a barn with a machine gun. They're imperfect and flawed throughout but they remain charming and simply enjoyable. They're colorful and fun - in a way the Frankie Avalon tie is almost poetic. For movies about taking over the world, with weapons that will turn you into a statue or cause your organs to rot slowly, to maximize the suffering of course, these movies are silly and lighthearted and they work because of it. I won't say I fell in love but I think this is a fun double feature despite the flaws of the films.

The Audio & Video
Blue Underground does a bang up job with the technical side of this release. Both features look very nice with a newly remastered transfer from the original negatives maintaining the original aspect ratios of 2.35:1 and 1.66:1 respectively. Detail levels are high from facial closeups to textures and surfaces such as clothing to walls and doors. Black levels are deep and inky while colors are bright and vivid without being artificially enhanced to "pop" more than they should. Skin tones are mostly very natural and healthy with only an instance or two of a waxy look. On the audio side of things, both films are presented with DTS-HD mono tracks and optional English subtitles. The tracks are crisp and clear with a steady and well done mix. The soundtrack enhances the film but doesn't become overbearing on the dialogue. There's no damage, distortions or background noise.

The Extras
Carried over from the previous DVD of THE GIRL FROM RIO is "Rolling In Rio" a featurette of interviews with director Jess Franco, producer Harry Alan Towers and star of both films Shirley Eaton. There's also trailers and still galleries.

The Bottom Line
These films have given me some hope that the spy genre may in fact hold some gems for me and if they're released in a high quality release such as this SUMURU double feature I'll be much less hesitant to give them a chance. Another job well done by Blue Underground.

The SUMURU Double Feature is available HERE

Saturday, April 23, 2016

April Exploitation/B-Movie Challenge 2016 - Days 20, 21, 22


4/20 DUUUUDEEEEEEE. Smoke weed or something. Also, Hitler was born that day. Not worth celebrating the biggest piece of shit of the 20th century but it is a reason to watch Nazisploitation flicks so I watched one - ELSA FRAULEIN SS - This one wasn't as exploitative, violent or offensive as many of films in the genre but it was also a bit better made with solid performances and a decent story and there's still plenty of sex and violence. I was pleasantly surprised by this one.


Cirio Santiago decided to make another visit, this being the fourth film I've watched from the Filipino  director this month and it is yet another winner. DUNE WARRIORS is trashy post-apocalyptic action starring David Carradine. It's packed with cool cars, flame throwers, sword fights, wimpy leaders and the lamest name for a main villain of all time. It's campy, cheap and incredibly fun.


April 21st had no viewings. It was one of those days where I wasn't in a particularly good mood to begin with and then the passings of Chyna who was a major part of WWE during a time that I was growing up with wrestling and Prince who I need not mention how legendary he is but I will say that I think he's somehow underrated in ways, if that's even possible. Those things combined made it so that I wasn't in the mood to sit down and watch anything.


Day 22 was a strong comeback though. The first of three movies on the day was SCHRAMM. Jorg Buttgereit's fourth feature film is my favorite of his and his most polished in my opinion. It has all of the sick shit that his previous films such as Nekromantik and Der Todesking had and raises the level of his writing and the performances he gets from his cast. This is a great film that just got a Blu-ray release and I have reviewed the brand new boxset of Buttgereit's films so you should check out that video right here.





Next up was a movie I've pretty much fallen in love with immediately. While I don't think it's a perfect film it does what many contemporary Gialli fail at - feeling authentic to their original period. Many newer Gialli try to feel authentic without being able to really capture the true look and feel. FRANCESCA is a 2015 film straight from Italy and while it has it's flaws it has a solid story, interesting murder sequences and stylish direction. All of the Giallo tropes are present without it feeling disingenuous. I highly recommend Giallo fans checking out FRANCESCA.


The night ended with NUKIE - The 1987 E.T. ripoff set largely in Africa. Yeah... I have seen a couple scenes from this and the trailer but sitting down to watch this on VHS was really an experience. It's a terrible movie with some of the most obvious and glaring plot holes I've ever seen. Nukie, the main alien character and his twin brother are fairly creepy looking, nothing a child would want to encounter. To be fair I feel that way about E.T. as well. NUKIE is awful but I think everyone should see it once just to know about it.

Today's Rundown
Elsa Fraulein SS - 6/10
Dune Warriors - 7/10
Schramm - 8.5/10
Francesca - 7/10
Nukie - 3/10

Friday, April 22, 2016

INFRASEXUM - Vinegar Syndrome (DVD Review)


USA/1969
Directed By: Carlos Tobalina
Written By: Claus Muras, Carlos Tobalina
Starring: Eroff Lynn, Carlos Tobalina, Marsha Jordan
Color/87 Minutes/Not Rated
Region FREE
Release Date: March 26, 2016

The Film
An older man has lost his sexual drive and decides to temporarily leave his business, his wife and the rest of his life behind to find it. His road trip leads him to a simpler life where he finds a great appreciation in painting and meeting new friends. His journey is bumpy as he experiences bits of murder and kidnapped along with more failed sexual venture but he doesn't give up despite how wild his journey gets.

INFRASEXUM is an interesting piece of sexploitation, experimenting in mixing roughie elements with lots of nudie cutie scenes. The more violent and rough scenes come out of nowhere which lend credence that anything can and probably will happen on this trip.


This is director Carlos Tobalina's debut feature film and it feels no less polished than movies he'd make years later as a far more experienced director. There's flourishes of style and he gets rock solid performances from his cast. Tobalina shows that he can direct a sexy fuck scene as well as a nasty murder scene. INFRASEXUM flows well and even if the main story is predictable there's enough turns in this road trip to keep things fresh and be a piece of sexploitation well worth seeking out.

The Audio & Video
The DVD presentation of INFRASEXUM is damn good. Vinegar Syndrome's new 2K scan from the original 35mm camera negative turns into a rather gorgeous 1.85:1 anamorphic widescreen transfer. Detail is quite strong for a standard definition release and colors are vivid and natural. Black levels are solid and there's very little in the way or damage or dirt and debris. The Dolby Digital mono mix is crisp and clear. There's no background noise or damage to speak of.


The Extras
The original theatrical trailer is included


The Bottom Line
INFRASEXUM is an interesting and enjoyable journey and an enjoyable piece of sexploitation.

INFRASEXUM is available HERE

Wednesday, April 20, 2016

April Exploitation/B-Movie Challenge 2016 - Days 17, 18, 19


Day 17 had one lone movie but it was a fun one - ATRAGON - the 1963 Kaiju film from director Ishiro Honda. As a fan of giant monster movies from Japan this is one I've long heard about and it didn't disappoint as the people of Earth are forced to develop and use their new flying submarine warship Atragon to battle the underwater Mu people and their giant laser breathing snake monster Manda. The movie is well made and has a solid story and script but is a bit light in the Manda v Atragon department. A bit more action between the two and I think this would have been bumped up to true classic status.


INFRASEXUM was it for day 18 and the new DVD from Vinegar Syndrome will be getting reviewed later today so be on the look out for it...


And finally day 19 had a pair of films that probably couldn't have been more different. Bill Zebub's 2011 feature ANTFARM DICKHOLE features exactly that... an antfarm dickhole. Just think about that term for a second- antfarm dickhole. Antfarm. Dickhole. Ant. Farm. Dick. Hole. You get it? Yeah, this movie, among many other things like a giant spider fucking a woman and as many "ant" puns as you can handle (and probably couple dozen more) has a man that has a colony of killer African ants living in his dick that kill people whenever he's sexually stimulated. Have you ever wanted to see a giant ant crawl out of a man's peehole? Here's your chance! The movie is funny and raunchy and stupid and you're either going to appreciate it or think it is repulsive trash. Chances are you'll think it's repulsive trash. I enjoyed it.


This recap closes with SECRETS OF A CALL GIRL - a Euro Crime turned drama from director Guiliano Carnimeo and co-written by Ernesto Gastaldi. That duo should have made a far better movie than this is. Luckily Edwige Fenech stars and makes thing visually stimulating at all times. The movie starts out good enough as Fenech plays a girl caught up in the middle of the mob and their prostitution ring who wants a way out after giving birth to her son. The movie's timeline doesn't make a ton of sense towards the end as a lot of time is covered all of a sudden without much mention of it. Once the movie turns into more of a drama it falls flat and feels deflated. It's watchable but I hoped for better. Oh and that artwork I used from Wikipedia is fucking atrocious and doesn't do the film any justice or even represent it accurately.

Today's Rundown
Atragon - 7/10
Infrasexum - 6/10
Antfarm Dickhole - 6/10
Secrets Of A Call Girl - 5/10