Showing posts with label 2010's. Show all posts
Showing posts with label 2010's. Show all posts

Wednesday, December 4, 2019

THE HOUSE - Artsploitation Films DVD Review


Norway/2016
Directed By: Reinert Kiil
Written By: Reinert Kiil
Starring: Sondre Krogtoft Larsen, Marte Saetern, Jorgen Langhelle
Color/88 Minutes/Not Rated
Region 1
Release Date: March 5, 2019

The Film
Set during the second World War, a pair of German soldiers are escorting a POW through a Scandinavian Forest when they find a seemingly abandoned house to rest in, seeking refuge from the harsh winter weather. Shortly after entering the house they quickly begin to see things, hear things and feel like they're being attacked

THE HOUSE looks like a million bucks. Reinert Kiil's direction paired with the cinematography of John-Erling H. Fredriksen gives the movie a visual quality that raises it above the standard independent horror look where you can usually tell that equipment and/or budget wasn't there. The frozen landscape and eerie, shadowy interiors of the house have a moody atmosphere that does provide a bit of foreshadowing to more sinister events that may lie ahead.

Those events do come. Sort of. The horror is held back, with quick bursts giving the audience a glimpse of what could be until the big sequence which is just rather unimpressive and feels like a retread of things we've seen countless times before. And all of this meandering around the house between the occasional shot of shock or scare simply wastes a couple excellent central performances. Even big budget Hollywood horror films struggle to find performances at this level but they're just not given anything to do for the majority of the film. That is the long and short of THE HOUSE, it has a lot of talent in front of and behind the camera but the script is lacking anything even resembling interesting.


The Audio & Video
This DVD release from Artsploitation Films look very good for a standard definition offering. The anamorphic 2.35:1 widescreen transfer features whites that are bright without ever appearing too hot while black levels are deep. The picture is clear but maintains that overcast wintry look that makes up so much of the movie. The 5.1 Dolby Surround audio mix is presented in a mix with optional English subtitles. Optional English subtitles are presented for the film as it features a mix of German, Norwegian and English. The audio is well mixed and sounds pleasing to the ear while the subtitles are translated and timed well.

The Extras
Special features include a short behind-the-scenes featurette, short film from director Reiner Kiil, an audio commentary track and an interview with writer/director Reinert Kiil.

The Bottom Line
I think THE HOUSE is skillfully shot and features great performances but is simply and sadly boring as sin.

THE HOUSE is available HERE

Friday, November 22, 2019

47 METERS DOWN: UNCAGED



UK, USA/2019
Directed By: Johannes Roberts
Written By: Ernest Riera, Johannes Roberts
Starring: Sophie Nelisse, Corinne Foxx, Brianne Tju
Color/90 Minutes/PG-13
Region A
Release Date: November 12, 2019
Blu-ray/DVD

The Film 
2017 saw the release of Johannes Roberts' tension filled shark thriller 47 Meters Down which was featured a simple idea of two sisters being stuck on the Ocean floor, locked in a shark cage as their oxygen depletes. The film was flawed but it had a decent premise and some good production quality. I don't remember anyone clamoring for a sequel but that didn't stop one from being made and this time there's no cage. 

47 METERS DOWN: UNCAGED introduces an entirely new story and set of characters featuring four teen girls who sneak into an underwater archaeology site of a newly discovered sunken Mayan city. This diving adventure starts well enough until an accident knocks over some massive statues and some blind deepwater sharks enter the fray making the desperate search for another way out before their oxygen levels deplete all the more dangerous. 

The Mayan city setting was absolutely stunning and I wish we somehow could have had more of it before all the dust gets kicked up and this becomes another shark attack film. The deepwater sharks and fish have an eerie translucent glow about them but their CGI rendering is spotty at times and there's some genuinely stupid moments like when a fish literally screams at one of the girls for a jump scare. This moment where any sort of serious filmmaking jumps the shark (punny punny) and took me out of it to the point where I struggled to settle back in for a while. I did appreciate that there's a good amount of shark violence and not just stalking around and near misses, specifically in the ending scene that cruelly throws the survivors into the jaws of these killer sharks almost relentlessly. 

I found 47 METERS DOWN: UNCAGED to lack the tension and acting quality of the original but did give us some eye catching set pieces and shark action but it relies on repetitious situations, and largely poor looking sharks. It's inoffensive but nothing more. 

The Audio & Video
Lionsgate delivers 47 METERS DOWN: UNCAGED on Blu-ray with a beautiful looking 2.40:1 anamorphic widescreen transfer that features stunning clarity with vivid colors and high levels of detail. Black levels are deep and inky and the picture quality is as gorgeous as the locations featured within. The English audio is presented in a 5.1 DTS-HD Master Audio mix with optional English SDH and Spanish subtitles. The audio is crisp and clear with no crackling, popping or other imperfections. The mix is nicely done and mixed well across all channels with proper balance in dialogue and soundtrack. 

The Extras
-"Diving Deeper: Uncaging 47 Meters Down" - a making-of featurette
-Audio commentary with writer/director Johannes Roberts, producer James Harris and writer Ernest Riera

The Bottom Line
This isn't reinventing the shark movie wheel by any means. Its familiar territory that could possibly make for an okay use of time on a rainy Sunday afternoon but otherwise you can do better. 

47 METERS DOWN: UNCAGED is available HERE

Tuesday, January 29, 2019

LET THE CORPSES TAN (Blu-ray Review) - Kino Lorber



France/Belgium
Directed By: Helene Cattet, Bruno Forzani
Written By: Helene Cattet, Bruno Forzani
Starring: Elina Lowensohn, Stephane Ferrara, Bernie Bonvoisin
Color/92 Minutes/Not Rated
Region A
Release Date: January 8, 2019

The Film
If you're not familiar with the duo of Helene Cattet and Bruno Forzani you may be familiar with their two previous features, Amer and The Strange Colour Of Your Bodies Tears, a pair of films that add a strong arthouse style and vibe to the duo's love for Italian genre film, most notably the giallo. The duo has gained noteriety in the cult film community because of their flourishing direction and dizzying editing. Their films have been devisive among fans with some fans being turned off by the arthouse style and other gobbling up their contributions to the genre. If nothing else, their films are interesting companion pieces to the genres they are love letters to.

LET THE CORPSES TAN is Cattet's and Forzani's homage to the Euro crime and spaghetti western genres. The plot is one that you've heard before and could fit either type of film, a gang thugs steal a load of gold bars and escape to a sparsely populated, crumbling cliffside village to hide out. The gang will soon find trouble with the lusty painter and her guests including a writer, and another sexy woman and her son that are already at the villa. Soon a pair of motorcyle cops arrive on the scene and the film plays out with a lengthy showdown within the stone walls and rocky hills between the two groups filled with floods of color, intense closeups, extreme violence and multiple double crosses. The film's progression is framed with intertitles displaying the time, often times showing the same scene play out from various character's perspectives.

Cattet and Forzani deliver an onslaught of intense visuals, colors, extreme closeups and violence. The duo focus on the styles of the spaghetti western and the crime films that came out of Italy during the 1970s using signature camera angles and music cues. The traditional plot should have allowed for something more cohesive, and linear, though I know that isn't Cattet and Forzani's style, their approach often leads to the images on screen being a bit an incomprehensible mess of flying bullets and various closeups of appendages. I think characters are cheated a more fleshed out and well rounded existence had they been given more to do than just show up and shoot every fucking thing. I frequently found myself asking why or what, and never really receiving any sort of answer, it seemed to be decisions and action for the sake of decisions and action. There was no development in these characters, they're very much paper doll versions of who we are introduced to and become nothing more, even when they perform some sort of double cross or their intentions change with the wind.

I liked a lot of what I saw and I certainly found myself entertained but I can't help but wish the duo helming this picture turned their style down a few notches and instead of being barraged with style I would appreciated a film that had more developed characters and a more practical storyline. There still would have been plenty of room for Cattet and Forzani to blow their artistic load all over the place but at least there would have been some substance to it. I think there's a good movie in LET THE CORPSES TAN and a great movie hanging around right outside of it, especially for fans of the genres that Cattet and Forzani are proclaiming their love for but the duo are perfectly happy getting their nut and leaving us with blue balls.

The Audio & Video
Kino Lorber gives LET THE CORPSES TAN a home on Blu-ray with a 2.35:1 anaormphic widescreen transfer that looks and sounds exceptional. The look and sound of this film are its strong suits and this Blu-ray gives the vivid colors, intense use of shadow and silhouettes and distinct textures the proper treatment. The bombardment of sound comes through with a 5.1 or 2.0 DTS-HD audio mix that is mixed and layered very well with the dialogue and score and sound effects complimenting each other nicely. The film's dialogue is in French with optional English subtitles. The subtitles are timed perfectly and translated well for easy reading.

The Extras
Special features include an audio commentary track with film critic Alexandra Heller-Nicholas and Queensland Film Festival Director John Edmond and a trailer for the film.

The Bottom Line
I appreciate LET THE CORPSES TAN but I wanted to love it. If you appreciated Amer or The Strange Color Of Your Bodies Tears than I think you'll appreciate this one as well.

LET THE CORPSES TAN is available HERE

Saturday, January 5, 2019

MOLLY - Blu-ray Review (Artsploitation Films)


Netherlands/2017
Directed By: Colinda Bongers, Thijs Meuwese
Written By: Thijs Meuwese
Starring: Julia Batelaan, Emma de Paauw, Joost Bolt
Color/91 Minutes/Not Rated
Region A
Release Date: October 2, 2018

The Film
When a maniacal gang leader catches wind that a girl with supernatural powers is roaming the barren wastelands near his camp he sets his henchman on a mission to capture her to be the new showpiece in circus where he forces competitors to fight to the death.

MOLLY stars Julia Batelaan as the titular character who travels a post-apocalyptic landscape by herself, staying alive and avoiding trouble when possible but when word gets out that you have supernatural abilities there's always going to be someone that wants to harness your powers for their own gain. Molly finds herself in constant trouble as she is chased for the duration of the film's 91 minute runtime by Deacon's (Joost Bolt).

Only when Molly discovers a young girl living alone among the dangerous landscape does the story take any sort of turn and it's more of a slight merge than a turn as it only adds a person for Molly to care for than actually changing the story. MOLLY'S weak story is its biggest downfall. There's just not enough story to make this movie a complete success but it still manages to be a successfully entertaining film. The directors were obviously influenced by films like Mad Max and maybe even some of the more low budget and exploitative rip-offs and they wanted to put their own spin on this style of film and where story isn't their strong suit the action scenes, of which there are plenty, and turning an obviously tight budget into a visually appealing production with set designs and characters that made the absolute most of the money spent on it.

MOLLY is also a well made movie with good fight choreography, good looking photography and a bit of stylish direction for good measure. I think it would have had a better flow at 75 minutes given the basic story and that some of the lesser fight scenes get a bit repetitive and at that point I'd be a bit more forgiving on the story but no matter how I slice it MOLLY was what I hoped it would be - a high energy post-apocalyptic romp that will hopefully help reignite the fire for these types of films.

The Audio & Video
Artsploitation Films gives MOLLY a properly beautiful presentation featuring a 1.78:1 anamorphic widescreen transfer that has a strong color palette and vibrant photography. Skin tones are natural and detail is good. The audio is presented in an English 5.1 surround sound mix that is free of any distortions. The mix blends music and dialogue with a proper balance so that neither gets overpowered or lost.

The Extras
Special features include a commentary track with directors Colinda Bongers and Thijs Meuwese along with a 30 minute making-of featurette.

The Bottom Line
MOLLY is far from perfect but I'm a nut for post-apocalyptic movies and MOLLY was so genuine and earnest in its delivery that I couldn't help but have a smile on my face for the duration.

MOLLY is available HERE

Wednesday, December 19, 2018

SLAY BELLES Blu-ray Review (Epic Pictures)


USA/2018
Directed By: Spooky Dan Walker
Written By: Jessica Luhrssen, Spooky Dan Walker
Starring: Barry Bostwick, Kristina Klebe, Susan Slaughter
Color/77 Minutes/Not Rated
Region Free
Release Date: December 4, 2018

The Film
On Christmas Eve a trio of girls who dress in sexy getups and do a bit of urban exploration for their Youtube channel decide it's the perfect time to visit Santa Land, an abandoned Christmas theme park in the California desert. Upon arriving they find they're not alone and are being hunted by some sort of beast that just so happens to the the Christmas Devil Krampus.

SLAY BELLES has a leading trio of beautiful ladies that are fun to watch romp around old decaying properties which give it a good start right out of the gate. It also features a good looking Krampus monster and a cool twist with the monster bringing in bloody body parts that eventually turn into little chomping hairball monsters that remind me of a cheap version of Critters and a much better version of The Langoliers. Unfortunately these little ankle biters come and go in the blink of an eye and I thought they could have been a very cool and integral part of the movie that up the carnage.

Barry Bostwick stars as a drunk, biker Santa who lives in Santa Land and has been in a decades long battle with Krampus and seems to have had a fun time making this movie and it shows. He's entertaining and likable in the role of jolly Saint Nick and there's a fun twist with his wife that makes for a memorable moment during the climax of the film. SLAY BELLES doesn't feature the cookie baking, hot cocoa making Mrs. Claus we all know and love but unfortunately many of these entertaining moments are cobbled together and come across like ideas that weren't fully hashed out. So we're left with fleeting moments of interesting and entertaining ideas that come and go and had me feeling robbed of what could have been.

 But for all of that there's one thing that SLAY BELLES just does wrong (besides the obnoxious dubstep soundtrack) and that is setting a Christmas movie in the California desert. The idea of setting a Christmas horror movie in Santa Land sounds better on paper than it translates to reality. Even with all of the holiday themed hats and set dressing that this derelict park offered up it simply never felt like Christmas to me. It felt like an imposter and in a movie based around the biggest good and evil that Christmas has to offer it really hurt the impact of it all. SLAY BELLES isn't the best Christmas horror movie in recent years but it is far from the worse.

The Audio & Video
SLAY BELLES hits Blu-ray from the Dread Central Presents line from Epic Pictures just in time for the holiday season and it looks very good. The 16x9 anamorphic widescreen transfer has a strong color palette that makes the colorful costumes worn by the girls and the tacky decorations and Christmas lights pop. Skin tones look wonderful with a healthy flesh tone and no waxiness. Detail level is high among surfaces and textures. The audio comes through crisp and clear with no background noise or distortion. The mix between dialogue and music is nicely done as well.

The Extras
Extras include:
-Audio Commentary with writer and director
-The Making Of SLAY BELLES
-"Cookies and Conversations" Featurette
-Hannah Minx Tours The Set
-Hannah Minx Makeup Tutorial
-SpookyDan short film "Bad Ass Russian In Istanbul"
-SLAY BELLES Trailer

The Bottom Line
I liked a lot of the elements in SLAY BELLES but it never elevated itself above an average affair that too easily and quickly brushed over its best scenes and ideas.

SLAY BELLES is available HERE

Monday, October 8, 2018

PUPPET MASTER: THE LITTLEST REICH - 4K UHD & Blu-ray Review


USA/2018
Directed By: Sonny Laguna, Tommy Wiklund
Written By: S. Craig Zahler
Starring: Thomas Lennon, Jenny Pellicer, Nelson Franklin
Color/90 Minutes/Not Rated
Region A
Release Date: September 25, 2018
4K UHD/Blu-ray

The Film
The Puppet Master franchise is a staple of video store shelves since its inception in 1989 by Charles Band and Full Moon. With nearly a dozen entries it has given us plenty of laughs and thrills, exciting moments and ups and downs. Like many horror franchises that have spawned upwards of this many films it is those downs that really start to plague a series in the latter entries as interest and budgets wain. Puppet Master has been in a tail spin for the second half of its existence as I find nearly everything after part 5 to be a waste of time and almost completely void of any redeeming qualities.

When I heard a new Puppet Master film was being produced by a new team that had little involvement from Full Moon I was skeptcial to say the least but some of that skepticism eased when I learned that S. Craig Zahler, the man behind recent successes such as Bone Tomahawk and Brawl In Cellblock 99, was writing the film and that legendary Italian composer and frequent Lucio Fulci collaborator Fabio Frizzi would be scoring the film that skepticism actually turned into a bit of optimism and excitement. I'm happy to report that my faith was not misplaced and my enjoyment of the film has been confirmed after a second viewing of the film here on this new release but I will not be able to properly express my thoughts on the film better than I did after I was fresh out of that first watch. So I'm going to link that first review HERE where I go in depth on my thoughts on PUPPET MASTER: THE LITTLEST REICH.

The Audio & Video
RLJE Films has delivered PUPPET MASTER: THE LITTLEST REICH to home video on Blu-ray as well as 4K UHD. To say I'm a bit surprised that the film was released on 4K would be an understatement but I'm very pleased that it was because it is absolutely stunning. Colors are true to life but are breathtakingly vibrant. Black levels are the deepest black and detail is as crisp as burnt bacon. While that sucks for breakfast it's great for picture quality. The audio is no slouch either coming in with a DTS-HDMA 5.1 mix that beautifully showcases the raucosness of the film and Frizzi's awesome 80s throwback score. It's crystal clear with no issues of distortion or buzzing or any other sort of imperfections.

The Extras
Extras include a behind the scenes featurette looking at the shooting locations, makeup effects and more, a featurette on the cast of the film and their characters, and a short look at the creation and design of the puppets against their final on screen form.  Also included are early sketches of the Lightning Girl comic seen in the film and a trailer.

The Bottom Line
If this is how Puppet Master is going to be moving forward count me in! All in! I loved it the first time and I loved it the second time and this awesome 4K/Blu-ray combo pack is without a doubt the way to go. You need to see this for your Halloween viewing this year!

PUPPET MASTER: THE LITTLEST REICH is available HERE

Friday, August 17, 2018

PUPPET MASTER: THE LITTLEST REICH (2018)


USA/2018
Directed By: Sonny Laguna, Tommy Wiklund
Written By: S. Craig Zahler
Starring: Thomas Lennon, Jenny Pellicer, Nelson Franklin
On VOD and Digital HD August 17

In a small Texas town in 1989 a German puppet maker is killed by police after his puppets commit a pair of murders. The puppet maker was Andre Toulon (Udo Kier), a Nazi who left Germany for America shortly after the end of World War II. Toulon used all forms of science and the occult to engineer his puppets to be deadly killing machines with a psychic link to do him to do his bidding. Now thirty years after his death a convention is being held in the town he died in and collectors from all over have come to buy and sell the puppets of Andre Toulon ignorant to the danger their valuable possessions pose.

Edgar (Thomas Lennon) along with his new girlfriend Ashley (Jenny Pellicer) and boss and best friend Markowitz (Nelson Franklin) attend the Andre Toulon convention to sell his deceased brother's old Andre Toulon puppet but after returning to his hotel room he finds the puppet missing. When the police arrive to investigate they find that many other guests' puppets have also gone missing and that missing puppets is the least of their concern as many guests have been brutally murdered. The puppets have returned to life and with their implements of death they are carrying out the wishes of their Nazi creator.

PUPPET MASTER: THE LITTLEST REICH follows in the footsteps of Full Moon Features' flagship franchise that began in 1989 with creator and director's Charles Band's horror film concerning an old hotel full of psychics who are investigating the death of a colleague who discovered murderous World War II era puppets. The film spawned ten sequels many of which retaining the WWII setting or theme and were video store era staples. Fans fell in love with Blade, Torch, Pinhead and all of Andre Toulon's other creations that split their time between being villains and antiheroes but there's no mistake that Andre Toulon and his puppets have never been nastier than they are in THE LITTLEST REICH. This reboot from writer S. Craig Zahler (Bone Tomahawk) and directors Sonny Laguna and Tommy Wiklund who previously directed the Swedish horror film Wither together gives a fresh start to the series but honors its Full Moon roots and history.

I have a love/hate relationship with the franchise. I think the first three films are pretty great and the fourth and fifth entries take a more supernatural turn and are entertaining. Then the bottom fall out and the quality of the films takes a steep decline eventually turning in to nothing but a clip show before returning to its WWII roots with some rather poor and obviously low budget affairs in the "Axis Trilogy". The series was long overdue for a fresh voice and I put faith in S. Craig Zahler immediate upon hearing of his involvement. He has become a name to watch after his western horror film Bone Tomahawk and his ultra violent prison thriller Brawl In Cell Block 99 both of which have been well received by genre film critics and fans alike. Add in the duo of Laguna and Wiklund helming the film and you have a team that has recent horror success under their belt to try and breathe new life to a franchise that has been drowning for several entries.

And that they did. PUPPET MASTER: THE LITTLEST REICH is the Puppet Master film fans have been waiting for over 20 years. The story is mean spirited as the puppets target Jews, gypsies and homosexuals and kill anyone else that just plain gets in their way. This ethnic cleansing attempted by the puppets can be a bit uncomfortable at times but in the same way that a rape/revenge film is uncomfortable and eventually satisfying when the attacker(s) get their comeuppance. And they deserve everything they get and more. The puppets slice, burn, decapitate and disembowel their victims with blood, limbs and innards flying everywhere. This is easily the goriest Puppet Master film to date, and it isn't even close. The extreme violence is presented in a way that lightens the tone of the film so that it is easily digestible. Plus any movie with Udo Kier and Barbara Crampton gets a little bonus.

I felt like a kid again getting excited over a decapitated head falling into a toilet and a pile of guts falling out of a sliced stomach. The special effects from Tate Steinsiek are not only plentiful but well done as well. Something that plagued the Puppet Master franchise as the series went on was the puppeteering and the look and movement of the puppets. At their worst it looked as if they were dolls being held and shaken around by a hand just off screen until they jumped toward a victim and I use the term "jump" very loosely. It was more of being randomly tossed in the direction of a victim. That was one fear I had that would carry over to this entry and in some instances the movement of the puppets isn't so hot but more often than not the puppets have really decent looking movement and animation which pleased the hell out of me. The music also pleased the hell out of me. Richard Band provided the score and theme for the original franchise and provides a theme here as well but the majority of the music was handled by Italian maestro and frequent Lucio Fulci collaborator Fabio Frizzi and his score adds a foreboding atmosphere that I'd never felt in a Puppet Master film before. Frizzi's work really is top notch and along with the ultra gory moments it was reminiscent of some of the classic Fulci moments.

PUPPET MASTER: THE LITTLEST REICH does have its flaws and setbacks. While I think the set up of the story is fine the writing has holes in it that are frustrating such as Andre Toulon's connection with the puppets and how he is manipulating them after his apparent death and why he has waited 30 years to bring them back to life. The film does end with a "to be continued" which could eventually lead to some insight and fill in some gaps but it was frustrating at times. The puppets themselves have several distinct styles and designs but each of those has different versions running around simply to create a higher number of puppets. This feels like a cop out to me but when I get to see Torch (or in this case Kaiser) totally melt the flesh from a few faces I'll let some things slide like minor continuity errors and some sporadically awkward editing.

PUPPET MASTER: THE LITTLEST REICH might be unnecessarily mean and could have easily left the Nazi theme out this time around but they made it work. The film's positives vastly outweigh the negatives and along with easily being the best entry in two decades it is also the most entertaining and I'm fully on board for another.

Monday, August 6, 2018

BREAKING IN (Unviersal Home Video Blu-ray Review)


Directed By: James McTeigue
Written By: Ryan Engle
Starring: Gabrielle Union, Billy Burke, Richard Cabral
Color/88 Minutes/PG-13
Region A
Release Date: August 7, 2018
Blu-ray/DVD/Digital HD

The Film
After the recent death of her father a mother (Gabrielle Union) brings her kids to his sprawling estate to prepare it for sale but find that the house is already occupied by a group of criminals looking for the safe they believe is hidden and full of cash. With her family in mortal danger Union must fight back to save their lives.

Let's start with the good, shall we? Gabrielle Union is pretty decent here, capable of handling the physical and emotional sides of her character well. The on-location shooting at a real house gives a sense of realism to the film even if the house is an absolute mansion compound with state of the art of security that no normal person could ever dream of affording. Director James McTeigue makes good use of the location. Otherwise the film sets itself up to be a digestible slice of Hollywood despite being something unremarkable or particularly memorable and that is perfectly fine. Not every movie has to be groundbreaking or a new spin on a genre. BREAKING IN, for the first half of the film was on its way to being that.

And then the bottom dropped out.


The second half of BREAKING IN is a train wreck filled with plot holes the size of the Grand Canyon, editing that if I called it sloppy I'd be extremely kind and forgiving because it is really just plain awful, performances from the cast that are simply not good but to be fair that's really due in part to the writing at this point as well. The entire movie asks you to overlook so many inconsistencies for the sake of convenience for itself and the situations it wants to set up that it is downright insulting.

Cookie cutter isn't necessarily a bad thing. I like when my cookies are the same size and I know what to expect when I bite in to them. You won't win any fancy awards or be the next big thing making cookie cutter cookies but you can at least make a product that the party will enjoy. BREAKING IN is the equivalent to biting into a cookie and finding out that chocolate chip is actually a cockroach and nobody wants to eat a cockroach.

The Audio & Video
Universal's Blu-ray of BREAKING IN is gorgeous. The 1080p presentation looks stellar, with deep, inky black levels that show no signs of compression or blocking issues. Colors are vivid and lifelike while detail levels are very high including finer detail like facial hair and surface textures. The audio is crisp and clear with a strong mix across the 5.1 lossless audio mix. From a technical standpoint this release is top notch.


The Extras
There are several featurettes included in the release taking us behind the scenes to look at various aspects of the filmmaking including Gabrielle Union's performance and her role as a protective mother, James McTeigue's direction and use of the real life location the movie was produced in and the film's action scenes. Also included is an alternate opening and deleted and extended scenes each with optional commentary from the director and a full length audio commentary track from the director and writer.


The Bottom Line
BREAKING IN had the potential to be a standard but altogether successful home invasion thriller but it completely falls apart and descends into the type of movie that if you're not rolling your eyes at it you're simply staring wide-eyed at the screen in amazement of how ludicrous what you're watching is.

BREAKING IN is available HERE

Wednesday, August 1, 2018

FLORA (Mill Creek Blu-ray Review)


Canada/2016
Directed By: Sasha Louis Vukovic
Written By: Sasha Louis Vukovic
Starring: Teresa Marie Doran, Dan Lin, Sari Mercer
Color/100 Minutes/Not Rated
Region A
Release Date: August 7, 2018
Blu-ray/Digital

The Film
Set in 1929, a team on an expedition to an uncharted forest to map the terrain and document the local plant life finds the team that arrived before them have gone missing. They realize that the native flora contain a deadly bacteria and that their lives depend on escaping the mysterious forest with limited supplies as they're being attacked by nature itself.

FLORA is an ambitious debut project for writer/director Sasha Louis Vukovic who was pretty freshly out of film school when this production went underway. Not only did he take on a period piece but he focused the film on an invisible antagonist which makes the audience focus entirely on the story and doesn't give himself any wall to hide behind as he could have with a more special effects driven horror movie. And to his credit I think Vukovic is largely successful. FLORA is a tense thriller, with fleshed out characters who have genuine intentions and purpose within the film. There are a few moments where the direction gets a bit too into itself and goes for flare over simple effectiveness. I chalk this up to a new director trying to show what he's capable of and I understand that but it's not always necessary. Sasha Vukovic is a young director and I think he'll be able to dial in his style and feel out when to reel it in a bit in the future.

The cast is comprised of a group with limited experience and like their director, there's more to praise than to critique. Instances of stilted performances are spread amongst a believable ensemble who are more than up to the task of not only a dramatic but at times a physical performance as well with plenty of sprinting and carrying heavy equipment through the actual Canadian forest this movie was shot in. A period piece is only as believable as the set dressing and wardrobe and that is tough to accomplish with millions of dollars let alone with the $120,000 (Canadian) budget that the film had according to IMDB and I never once questioned that this film was taking place in the late 1920s. I applaud the Vukovic's writing and costuming of Olivia Ball to make sure the characters spoke and wore the era.

FLORA isn't perfect but it is quite good. Sometimes less is more and in separate instances FLORA both adheres to that rule and breaks it. The script has questionable character decisions and potential plot bumps if not holes regarding this unseen organism but I found myself engaged, entertained and totally invested by this adventure in minimalist horror that reminded me of M. Night Shyamalan's The Happening if The Happening if Shyamalan had written a script that was worth a damn. FLORA is a debut that avoids many of the stumbling blocks a young rookie director and writer fall victim of and is a promising start. I hope Sasha Vukovic works more in the horror and thriller genres in the coming years.

The Audio & Video
Mill Creek gives FLORA a home on Blu-ray and it looks very nice. The digital photography shines in the 2.00:1 anamorphic widescreen transfer with the lush greens of the forest popping and engulfing the screen. Skin tones look fleshy and natural with no signs of waxiness or pink coloring. There are no noticeable issues with black levels clumping up or becoming pixelated. The 5.1 DTS-HD audio mix sounds fantastic with the beautiful score shining through when it needs to be more in the foreground but blending nicely with the dialogue the rest of the time. The audio is crisp and clear with no distortion issues.

The Extras
Bonus features include a short behind the scenes featurette which provide a bit of insight into the development of the film and its production. Also included are deleted scenes and an audio commentary track with writer/director Sasha Louis Vukovic and stars Teresa Marie Doran and Dan Lin.

The Bottom Line
FLORA had success on the festival circuit and deservedly so. It now has a very respectable home on Blu-ray and I think it deserves a place on every horror fan's watch list.

FLORA is available HERE

Monday, July 2, 2018

ANOTHER WOLFCOP (Blu-ray Review)


Canada/2017
Directed By: Lowell Dean
Written By: Lowell Dean
Starring: Leo Fafard, Yannick Bisson, Amy Matysio
Color/79 Minutes/Not Rated
Region A
Release Date: July 3, 2018


The Film
A year after the events of the first film the town of Woodhaven is home to a new brewery being opened by a devious entrepreneur named Swallows (Yannick Bisson) who plans to use his new Chicken Milk Stout to attack the local population with stomach bursting monsters. It is up to the local police force led by the wolfcop himself Lou Garou to stop Swallows and save Woodhaven.

A few years have gone by since the release of Wolfcop but it is still fresh in the mind's of horror fans including myself and I was cautiously excited about the sequel being released. My trepidation comes from plenty of prior experiences where a successful modern indie horror movie spawns a far less successful sequel, losing the magic that the first film had created. ANOTHER WOLFCOP clocks in at only 79 minutes and upon seeing that runtime I was a bit less worried as it seemed that writer/director Lowell Dean had a tight idea for a sequel that can hit all the beats and get us in and out in a whirlwind of lycanthrope action but what I was presented was a mess of a story that only sort of comes together and more ideas that are used for laughs than to actually progress the story. The stomach monster angle only gives the character of Willie Higgins (Johnathan Cherry) a minor inconvenience to deal with and otherwise doesn't have any real point.

The special effects are a high point for the film with the wolf suit looking excellent yet again including some simple yet effective transformation scenes. There's plenty of gore including limbs getting lopped off and guts getting ripped out all of which are dripped with blood and will please the gore hounds. The effects work on the stomach monsters isn't bad either except for the one on Willie Higgins which looks like a cheap piece of rubber with a shitty face painted on it. I can see that monster design being a style choice based on how good all of the other effects were but it doesn't work either way. It's played for laughs but it's painfully unfunny which is a running theme as this is very much a horror comedy but the laughs are sporadic.

I am being rough on the movie because even though I approached the film with tempered expectations I still felt disappointed and cheated. Wolfcop had a great idea and was well thought out and executed with skill. Perhaps most importantly it felt fresh and didn't force itself to be everything else, it was happy being Wolfcop for better and for worse. ANOTHER WOLFCOP tries so hard to be everything all at once. It is bloated with references and nods to make it feel relevant to current genre trends. It has a bunch of ideas but none of them are thought through to conclusion and there's a lot of clutter in its 79 minutes. There are moments I enjoyed and I thought the use of the moon rock was ingenious but ANOTHER WOLFCOP feels more like any film that would have come out a decade ago towards the start of this "grindhouse revival" we find ourselves in than a sequel to one of the great horror comedies of the last few years.

The Audio & Video
ANOTHER WOLFCOP comes to Blu-ray courtesy of RLJE Films who previously released the first film and it looks and sounds excellent. The 1.78:1 anamorphic widescreen transfer features a crystal clear picture with a vibrant color palette, especially with the bloody reds. Detail is strong letting the special effects work shine and giving way to great looking surfaces and textures. There's no signs of edge enhancement or excessive DNR use. The audio is presented in a 5.1 DTS HD Master Audio mix that is crisp and mixed perfectly between the dialogue and rocking soundtrack. There's no distortions or other audio hiccups to mention.

The Extras
-"The Making Of Another Wolfcop"
-"Friends & Foes: Meet The Cast"
-"The Monster Shop" - Special FX featurette
-"Shoot Or Die: Surviving On The Set"

The Bottom Line
While there's a good bit of gore and some scattered laughs, ANOTHER WOLFCOP simply felt slapped together and a weak story with very little actual Wolfcop makes for a rather disappointing follow up.

ANOTHER WOLFCOP is available HERE

Monday, February 5, 2018

VICTOR CROWLEY (2017) Review



Directed By: Adam Green
Written By: Adam Green
Starring: Parry Chen, Laura Ortiz, Kane Hodder
On Blu-ray and DVD February 6, 2018

Adam Green's Hatchet series has relied on buckets of blood and a tone that successfully toes the line of comedy and serious slasher film. The laughs are not at the expense of the scare and fully add to an atmosphere and vibe that I would describe as a "party slasher". This is the type of horror movie designed to have a raucous crowd, hooting and hollering with each and every exceedingly gory kill sequence. The story is presented straight but light enough so that it isn't down beat and designed more to thrill the viewer than to chill them. The first three installments in the franchise have been largely successful at this with groups of characters that are developed enough, or just plain likable enough that we connect with them and care about them. From Deon Richmond's longing for a Moons Over My Hammy from Denny's in the first film to Colton Dunn's biscuit song in part 2, we're given reasons to enjoy the time we spend with these people that are merely scraps for the meat grinder in true slasher film fashion. I won't pretend the films are perfect but I have an absolute blast with them and proudly sing their praises so when I heard the surprise news that a forth installment was not only announced but actually already finished and screening I couldn't wait to get my hands on another gore soaked adventure into Honey Island Swamp.

Titled after the monstrous, deformed, undead murderer of the swamp, VICTOR CROWLEY wastes no time bringing the comedy in to the film with a bit of a prequel gross out gag that quickly turns in to the gore fest we're used to and then it keeps going. Following in the footsteps of its predecessors VICTOR CROWLEY is a gore hound's wet dream. Arterial blood sprays are common place and limbs fly around like beads at Mardi Gras. People are scalped, stomped, mutilated with a hammer (claw end of course) and just plain fucked up. The special effects aren't going to pass for real life but they're well done and incredibly fun and fully believable. This is the meat and potatoes of the Hatchet series and writer/director Adam Green knows how to deliver it in droves. His monstrous creation and titular character Victor Crowley looks menacing with his design here. He's hulking and massive, his deformed and mutilated face are horrifying. Kane Hodder returns to wear the suit and provide the kills in a way it seems only he can. I do have to say that the quality of the makeup and suit look to be on the cheap side. The design is good but the execution is lacking in the scenes where we get a long clear look at Crowley, of which there are plenty. 

On a similar note, the sets and production also feel lacking and look and feel way too much like a soundstage and too little like an actual swamp. The film is comprised almost entirely of medium shots using which exposes how little to each little set location there really is. I like the look and design of the swamp, especially the areas in which the tours have set up their attractions in but we never get a good look at any area that looks to be more than ten or twelve yards across. The size of those set pieces are a small complaint compared to how much time is spent in the fuselage of a crashed airplane. I'd estimate that 2/3 of the movie is spent inside this plane as Crowley picks off someone one by one as they try to make their escape or he goes after inside the plane. The pacing is really off at these moments when we're left with a group of survivors doing basically nothing and all we can do is hope someone dies soon so the movie progresses. Eventually it does and a lot of bodies drop in a small amount of time which again feels oddly paced. 

The group of characters in VICTOR CROWLEY are a very uneven group as far as likability goes. As far as I'm concerned Parry Shen is a total star in these movies. He's been in each film as different characters and returns in his role of Andrew from part 3, now shilling a book of his tale of survival from the events a decade earlier. Shen is naturally funny without having to try too hard and forcing it, he's also able to bring a well rounded performance that is both strong and vulnerable. He excels in all situations and is easily the best part of the series front to back. Laura Ortiz makes her debut in the franchise as Rose, a character that started out being a bit grating for me but by the end I was totally on her side and rooting for her. Ortiz will be a familiar face to Adam Green followers as she starred in his sitcom series Holliston and also appeared in his segment for the anthology horror film Chillerama. She brings a cute ditsy and sometimes clueless type humor to the picture that ends up working more as the film moves along. There's plenty of other characters and familiar faces that stand out like Felissa Rose (Sleepaway Camp) as Parry Shen's agent. Her forced accent is unbearable and I found myself disappointed in how much I loathed her. I was more disappointed in how quickly Tezz Yancey comes and goes. He's fantastic in his very limited screen time and I would have loved to see how his character reacted to Victor Crowley.  

I found VICTOR CROWLEY to be a mixed bag with the gory kills appealing to the lowest common denominator part of my brain and having major gripes with some of the writing such as a major part toward the end of the film that makes no logical sense and has no place in the timeline of the movie that only serves as a convenient way to set up the climax. This also happens earlier in the film when *SPOILER the plane crashes for no reason. One second it's flying fine, the next there's a brief mention of slight turbulence and then it's plunging toward the swamp. *END SPOILER There are some stylish choices here and some unfortunate cutaways. There's one scene where we watch Crowley stalk a victim through the windows of the downed plane, slowly going in and out of view as he passes each window and metal body section of the plane. I felt that was a golden opportunity for an original kill sequence and stylish scene but it was more of a wasted opportunity than a victory in creativity. VICTOR CROWLEY also introduces ideas that long time fans of the fans will question (random spell resurrection?) and it works more as a set up to a possible part 5 than it does on its own, something I don't think any of the previous films suffered from, but it is still a ride light in tone and covered in blood.

For my money VICTOR CROWLEY is the most heavily flawed film in the Hatchet series but there's enough gore and cheap thrills to entertain fans of the series.

VICTOR CROWLEY is available HERE

Sunday, January 14, 2018

IT (Blu-ray Review) - Warner Bros


USA/2017
Directed By: Andy Maschetti
Written By: Chase Palmer, Cary Fukunaga, Gary Dauberman
Starring: Jaeden Lieberher, Jeremy Ray Taylor, Bill Skarsgard
Color/135 Minutes/R
Region A
Release Date: January 9, 2018
Blu-ray/DVD

The Film
The small town of Derry, Maine is plagued by a rash of disappearing children, similar to events that happened 27 years earlier. A group of ragtag kids, lead by Bill whose younger brother Georgie is amng the missing, encounter a sinister shapeshifting monster named Pennywise who stalks the children in his preferred form of a clown. The kids try to uncover the truth of Pennywise and the disappearances without winding up on a missing poster themselves.

Based on the novel of the same name by Stephen King, IT is the first feature film adaptation of the story but not the first screen adaptation as it was turned into a two-part miniseries in 1991. That miniseries has attained a bit of cult classic status over the years, largely based on Tim Curry's memorable performance as Pennywise. That adaptation was heavily flawed, especially in its second half and the ending of it is much maligned. That hasn't stopped it from heavy rotation on cable and a huge fanbase. This feature film version of the story was in the works in one form or another for half a decade, going through several changes at director. Finally in the summer of 2017 IT arrived in theaters and would wind up becoming the highest grossing horror film of all time (not adjusted for inflation).


Plenty of bad movies make loads of cash at the box office though and with already having a shaky screen adaptation it's reasonable to ask if IT was any good. I'm here to say that yes, IT is in fact a well done adaptation and horror film. While it changes some of the source material and if you're at all familiar with the source material you're well aware that there are just some scenes that simply will never make it in to an adaptation. That's okay, it doens't hurt anything. The most important part of the movie is the kids. Without a group of kids that turn in good performances and give the audience a reason to connect and care about them the movie fails on its most important level. This is the film's best aspect. The cast of kids led by Jaeden Lieberher as Bill, Sophia Lillis as Beverly and Finn Wolfhard (Stranger Things) and Richie, they each bring a distinct personality to the group but are a wonderful ensemble together. Their chemistry is entirely believable and natural. It's easy to connect with them and be taken back to our own childhoods. If there's one thing I wanted more out of the kids was more backstory for each of them as a couple get glossed over and lost in the shuffle a bit even at the film's two hours and fifteen minute run time.  There's still time to bring more of their backstories out in the inevitable sequel so I'm not holding it against the film too much. Bill Skarsgard is effectively creepy and menacing as Pennywise. His facial expressions and line delivery bring are memorable but there is an over reliance on CGI effects and scares which don't always look great and at times it does cheapen the overall quality of the movie with tired cliches.

IT has a strong screenplay and script however and has a stunning look. The late 80s setting is recreated brilliantly and brings back a sense of nostalgia. That sense of nostalgia is a driving force in the film but never gets too heavy handed. It teleports us back to a time when we were young, adventurous and vulnerable. That's why it works and while it may not match the darkness of the novel we will be getting a sequel that could certainly bring a darker tone and more serious scares but even if history repeats itself and the second half falls flat as it did with the 1991 adaptation IT is a self contained horror film that works perfectly on its own as it hopefully works as a great first half to a great second half. Only time will tell but IT will still be a very good horror movie either way.


The Audio & Video
Warner Bros Blu-ray release of IT looks and sounds as good as you could possibly imagine, as it should. The film's anamorphic widescreen 2.40:1 aspect ratio is super wide and gorgeous with no signs of edge enhancement or DNR. The colors are vibrant and natural with incredible levels of detail from textures and fabrics to faces and body closeups. The black levels are very deep and inky with no trace of blocking up. I don't think I could ask for a nicer Blu-ray presentation while the Dobly TrueHD 5.1 surround mix sounds exceptional and free of any flaws. It really is that simple to describe as the audio sounds perfect. There's not a single instance of distracting background noise or staticy damage. Five stars, ten out of ten, I'm on board with whatever you want to consider the perfection of this disc.


The Extras
There are four featurettes that are all worthwhile and clock in around 15 minutes (give or take a minute or two). There's no throw aways here.

-"Pennywise Lives" - A look at how Bill Skarsgard prepared and performed the iconic character including how he saved the production from having to use CGI effects with his eyes and face. This is my favorite supplement on the disc.
-"The Losers Club" - A featurette focusing on the relationship of the kids in IT and how their friendship. The kids' relationship makes the film what it is and this feature documents how real it is. It's hard to watch this without a smile on your face.
-"Author Of Fear" - An interview with Stephen King as he hashes out his history with the IT story including the history of writing it and how he came up with various aspects of the story.
-Deleted Scenes - Things the movie didn't need but maybe could have used...and maybe not.


The Bottom Line
IT isn't perfect but it hits the right notes to be a fun, nostalgic and whimsical horror tale that lives up to the novel it was based on. Recommended.

IT is avaiable HERE

Tuesday, January 2, 2018

THE HOUSES OCTOBER BUILT 2 (RLJE Films) - Blu-ray Review


USA/2017
Directed By: Bobby Roe
Written By: Zack Andrews, Bobby Roe
Starring: Brandy Schaffer, Zack Andrews, Mikey Roe
Color/101 Minutes/Not Rated
Region A
Release Date: January 2, 2018

The Film
Have you ever been surprised by how much you like a movie? I'm sure you have, we all have. I was incredibly surprised by how much I enjoyed Bobby Roe's 2014 found footage horror film The Houses October Built. This found footage horror film followed a group of friends going cross country in their RV documenting the most extreme haunted houses they can find until they come face to face with a secret haunt that takes them to their absolute extreme and blur the line of entertainment and reality. So when I heard a sequel was made I was caught off guard but totally game to check out THE HOUSES OCTOBER BUILT 2.

And then I watched it.

THE HOUSES OCTOBER BUILT 2 is lazy. It retreads the same ground laid in the first with the same plot. The same friends get together to go to some haunts and capitalize on their internet fame after the events of the first film. Except they're all incredibly shitty people this time around more worried about making a couple bucks instead of their own friends mental health. Brandy suffered the worst fate of the first movie and her shitty friends do everything they can to bribe her to join their trip because she's the pretty girl all of the haunts want to promote their attraction and without her the group is worthless. So her friends throw her in to increasingly extreme haunts despite her protests to do the extreme haunts. Of course she gives in when a few more dollars are thrown at her so we get to hate her too. This is where the film fails but definitely isn't the only place. If we're forced to spend 100 minutes confined mostly to an RV with this group of people they better be likable folks and in the first film they were but this time they've devolved into typical pieces of shit more concerned on a quick buck and exploiting their friend than a love of haunted houses and Halloween.

The film is also victim to just about every pitfall a found footage style horror movie can fall for. The added music, slick editing and basic set up of movie doesn't make a lick of sense for something being shot on the road and supposedly "found" and uploaded to Youtube. The first film did this as well but was fun enough that I could mostly overlook it but when the movie is a bad time, and I mean that it is a bad time. It's like being at a shitty party with people you barely know who are annoying the absolute piss out of you and you have no way to get home or leave, when it's that bad of a time the things you can nitpick begin to add up and then the laziness of the film shines through and it's like being blasted in the face with a nasty fart.

I loved the first. I loathe the sequel.

The Audio & Video
THE HOUSES OCTOBER BUILT 2 has been brought to Blu-ray by RLJE Films and looks fantastic with a 1.78:1 anamorphic widescreen transfer. The color palette is vibrant while shining and popping just enough. The black levels, of which there's plenty in the haunt interiors, are deep and inky. Detail levels are high and skin tones natural with no signs of edge enhancement or DNR. The audio is presented in a 5.1 DTS-HD Master Audio mix that sounds just as good as the picture looks. The audio is warm and full bodied with a strong mix throughout. There's no damage or hiccups to speak of.

The Extras
-Deleted Scenes
-Uncut Projection Scene
-Portrait Of A Scare Actor 2 featurette
-"Halloween Spooks" music video

The Bottom Line
It's a colder, less genuine, lazy and boring rehash of the first. Skip it.

THE HOUSES OCTOBER BUILT 2 is available HERE

Saturday, December 30, 2017

MAYHEM (2017)


USA/2017
Directed By: Joe Lynch
Written By: Matias Caruso
Starring: Steven Yeun, Samara Weaving
Color/87 Minutes/Not Rated
Region 1
Release Date: December 26, 2017

Derek Cho (Steven Yeun) has been busting his ass for a law firm rising through the ranks to find himself in a nice corner office with a good position as a law analyst only to find himself being set up to take the fall on a major account by his own firm's dirty tactics. Unfortunately for the executives, a deadly virus that spread wildly in recent months and causes the victim to lose any sense of inhibition and act out on their wildest ideas whether they be silly, sexual or just plain violent, has made it's way in to the building and an 8 hour quarantine has everyone locked inside until an antidote can be filtered in through the vents. Derek and a client (Samara Weaving) whose home is being foreclosed on because of the law firm simply not giving a shit decide to get some revenge on the soulless bloodsuckers at the top of the office building while the virus gives them legal impunity.


MAYHEM is a movie that anybody who has ever been mistreated, talked down to, used and abused, overlooked or under appreciated by their boss can appreciate. I think I've included a good 90% of the population. How many times have we dreams about getting one clean punch in, free of consequences, at our bosses. Or better yet, being able to overtake their position and give them a dose of their own medicine on their free fall down the ladder. Steven Yeun who any genre fan probably knows best as Glenn from The Walking Dead TV series, is fantastic as Derek, an average guy who has sacrificed and bested his ass for a company and to get some level of success and for what? Just to get spit on. Literally and figuratively. He's a perfect Joe Everyman and turns in a great performance that the audience can rally behind. His counterpart is Samara Weaving who plays a sassy, sexy and as we come to find out, tough and badass woman who is in a tough spot as the law firm won't help her with a two month extension on her loan and is planning to foreclose and take her home. After a brief spat with Derek they end up locked up together during the quarantine and reach a mutual breaking point and arm themselves with everything from a nail gun to an electric saw and hand tools.


The film plays out like The Raid meets The Belko Experiment (in the world of Office Space) as they fight their way up each floor of the office building and lands somewhere firmly between the two. It's not the action classic that The Raid is but I think it's a better gory office horror film that is far more relatable and engaging than The Belko Experiment. Yeun and Weaving play off each other brilliantly and Joe Lynch has never been more sure footed behind the camera. His direction is solid and slick in spots to add some flair to MAYHEM that raises it up a notch. The unsung hero of the film is Steve Moore who provides the score and it's a moody, at times catchy, and overall pulsing synth driven piece of music that lurks in the background until the film needs the punch that Moore's score adds to really get the audience's adrenalin pumping. While watching the film I was thinking to myself how much I liked the score and then I saw Steve Moore's name pop up in the credits and it all made sense. Moore is a member of the band Zombi who writes synth driven rock not unlike Goblin and it's always a treat to get a soundtrack from him.


I like MAYHEM a lot. It's straight forward, well written and executed, highly entertaining and something you can easily place yourself in. It's not perfect and there's plenty of things that require a suspension of disbelief but I had so much fun with it and think this is one of the hidden gems of genre film of 2017.

MAYHEM is available on 4K, Blu-ray, and DVD HERE.

Wednesday, April 12, 2017

THE BYE BYE MAN (Universal) - Blu-ray Review


USA/2017
Directed By: Stacy Title
Written By: Jonathan Penner
Starring: Douglas Smith, Lucien Laviscount, Cressida Bonas
Color/100 Minutes/Not Rated
Region A
Release Date: April 11, 2017
Blu-ray/DVD/Digital HD

The Film
THE BYE BYE MAN was released theatrically on January 13, 2017 to largely negative reviews. Despite the reviews it was still a box office success pulling in over 24 million dollars domestically against a budget of just over 7 million dollars. Undoubtedly a strong push with social media campaigns got the film into the mind's of movie goers prior to the release and the PG-13 rating certainly didn't hurt. I was able to attend an advance screening of the film and found that THE BYE BYE MAN was one of the most inept and cliche horror films I had seen in a long long time. I could go over each and every thing I disliked about it but I already did that HERE.


Now the film is released with an unrated cut easily make it a more violent and graphic film but would it make it a better film? The answer to that is simply, no. No it does not. While the unrated version of the film adds three minutes to the runtime and is certainly more graphic with its violence which can be seen immediately from the opening scene it is still the same movie. No amount of CGI blood can take away from the predictability, piss poor acting, shoddy writing and overall feeling that this movie somehow escaped its bargain bin destiny and got major studio backing.


The Audio & Video
Unsurprisingly Universal's Blu-ray of THE BYE BYE MAN looks stellar. The 16x9 anamorphic widescreen transfer has strong detail which makes spotting threads on clothing and imperfections in wood and vinyl surfaces easy for example. Colors are vivid but natural while black levels are deep and inky. The DTS-HD Master Audio 5.1 surround mix is fantastic as well with a wonderful mix job between levels and a crisp, crystal clear presentation. The mix is powerful and bassy when needed and overall a very strong sounding mix. English SDH and Spanish subtitles are included. From a technical standpoint THE BYE BYE MAN Blu-ray is superb.


The Extras
The Blu-ray features both the unrated and theatrical cuts of the film along with a DVD of the theatrical cut but there are no supplemental special features, not even a trailer.


The Bottom Line
If you found yourself to be a fan of THE BYE BYE MAN then the Blu-ray won't disappoint but the unrated version of the film isn't going to change any negative opinions on the film. Rent it if you're super curious because you'll only be wasting a dollar. Save your dollar if you're only mildly curious.

THE BYE BYE MAN is available HERE

Saturday, March 25, 2017

PEELERS (2017)


USA/2017
Directed By: Seve Schelenz
Written By: Lisa DeVita, Seve Schelenz
Starring: Wren Walker, Caz Odin Darko, Madison J. Loos
VOD Release Date: March 28, 2017

The final night of business at the Tittyballs strip club isn't the cakewalk owner Blue Jeans (don't call her BJ!) was probably hoping for as she prepares to sell to a skeezy businessman with questionable intentions. The night is full of drunks, a new girl dancing for the first time because a regular is about to pop with a baby, jealous boyfriends and a group of workers from the local coal mine that come in covered in a weird black oil substance that turns anyone that comes into contact with it in to a bloodthirsty maniac. Is it closing time yet?


Seve Schelenz returns for his second feature film after making Skew back in 2010 (previously reviewed HERE) with an overly gory splatterfest that isn't out of line from body melt films like Street Trash and Slime City though it is played straighter than either of those films and doesn't go for the day-glo look instead opting for a thick, black splatter that is vomited and spewed by the gallon. PEELERS will have no trouble attracting an audience with all of the blood and guts flying around in addition to the black sludge. The film is wildly bloody and nobody is off limits. CGI is mixed in with large amounts of practical effects and while it is immediately and definitely a noticeable shift from the practical stuff it isn't off putting.


PEELERS will stand apart from similar films that are released each month because it takes far greater care in its writing and characters than the majority of independent horror films even think about. We get real relationships built within the confines of the walls of this strip club and it all begins and ends with Wren Walker's performance as Blue Jeans. She's a tough but loving owner and a total bad ass chick. Walker is damn good and really carries the film while the support from her security guard Remy played by Caz Odin Darko is more of a straight forward performance that doesn't need any nuance but he plays it exactly how he should. He's a sympathetic character that most guys can relate to in one way or another. It's not just good performances but actual character development that make it such a good script.


PEELERS is a really solid horror film, I can't say it's perfect because it isn't but it is damn entertaining and even though it's not the most original premise and reminds me of countless movies that came before it, it is one of the better strip club horror movies I've seen to date and I had a great time with it. It's rare these days that a movie as splatterific as PEELERS has such a quality production. This one is definitely worth a look.

Tuesday, February 9, 2016

THE LAST HOUSE (DVD Review) - Wild Eye Releasing


USA/2015
Directed By: Sean Cain
Written By: Wes Laurie
Starring: Ezra Buzzington, Jason Mewes, Joanna Angel
Color/91 Minutes/Not Rated
Region FREE
Release Date: November 24, 2015

The Film
A trio of escaped mental patients lure some call girls to a Hollywood mansion for some sexual and Satanic fun but the boyfriend of one of the girls will try to stop their nasty plans before he loses his love forever.

THE LAST HOUSE is a low budget, sexually charged, horror thriller filled with notable names to fans of the genre. From Felissa Rose (Sleepaway Camp) to Jason Mewes (Mallrats) and adult film star Joanna Angel, it is Ezra Buzzington (Rob Zombie's Halloween, The Hills Have Eyes) that shines as the head psycho. It is Buzzington's performance that is what you need to see in THE LAST HOUSE. He is believably chilling, leaving your skin with a trail of goosebumps.


THE LAST HOUSE is violent and bloody, a little bit sexy even if that area is a bit understated for how big of a role it plays in the film and a bit twisted from start to finish. Come for the horror, stay for Ezra Buzzington. Keeping the review short is best for this film. I wasn't a big fan of the whole thing, I found it to be convoluted and long in the tooth, trying to be too many things without being great at any one of them but I have to repeat that Ezra Buzzington is spectacular and his performance alone makes the film worth watching.

The Audio & Video
Wild Eye Releasing gives THE LAST HOUSE a nice DVD presentation with an anamorphic widescreen transfer with deep black levels and a crisp and clean picture quality. Colors and skin tones are natural and are pleasing to the eye overall. The stereo audio is clear, free of any distortions or background noise. It's a nice mix between the dialogue and music.


The Extras
-Audio Commentary with the Director
-Deleted Scenes
-Cinemayhem Interview with the Director
-Gorezone UK Premiere


The Bottom Line
This isn't the best film you're going to watch this year, or even this month. It is heavily flawed but I just loved Buzzington's performance enough to warrant a recommendation.

THE LAST HOUSE is available HERE